{"id":659,"date":"2013-10-25T08:39:26","date_gmt":"2013-10-25T07:39:26","guid":{"rendered":"http:\/\/langtreesinfonia.co.uk\/?page_id=659"},"modified":"2016-05-11T08:08:09","modified_gmt":"2016-05-11T07:08:09","slug":"works-played","status":"publish","type":"page","link":"https:\/\/langtreesinfonia.co.uk\/?page_id=659","title":{"rendered":"Works Played"},"content":{"rendered":"\n\n<\/col>\n<\/col>\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Beethoven<\/td>\nEgmont overture<\/td>\n<\/tr>\n
<\/td>\nCoriolan overture<\/td>\n<\/tr>\n
<\/td>\nRuins of Athens overture<\/td>\n<\/tr>\n
<\/td>\nViolin Concerto<\/td>\n<\/tr>\n
<\/td>\nPiano Concerto No. 5<\/td>\n<\/tr>\n
<\/td>\nLargo from Oboe Concerto<\/td>\n<\/tr>\n
<\/td>\nChoral Fantasy<\/td>\n<\/tr>\n
<\/td>\nTwo Romances for violin and orchestra<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 1<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 2<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 3<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 4<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 5<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 6 `Pastoral’<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 7<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 8<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 9 `Choral’<\/td>\n<\/tr>\n
<\/td>\nMass in C major<\/td>\n<\/tr>\n
Bellini<\/td>\nOboe Concerto<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Berlioz<\/td>\nSymphony Fantastique<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Brahms<\/td>\nAcademic Festival overture<\/td>\n<\/tr>\n
<\/td>\nTragic overture<\/td>\n<\/tr>\n
<\/td>\nViolin Concerto<\/td>\n<\/tr>\n
<\/td>\nPiano Concerto No 2<\/td>\n<\/tr>\n
<\/td>\nSerenade No. 1<\/td>\n<\/tr>\n
<\/td>\nVariations of St Anthony’s Chorale<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 1<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 2<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 3<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 4<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Bortkiewicz<\/td>\nSymphony No. 1<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Bruch<\/td>\nViolin Concerto No. 1<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Bruckner<\/td>\nSymphony No. 4<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Carulli<\/td>\nGuitar Concerto<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Dvorak<\/td>\nCarnival overture<\/td>\n<\/tr>\n
<\/td>\nViolin Concerto<\/td>\n<\/tr>\n
<\/td>\nCello Concerto<\/td>\n<\/tr>\n
<\/td>\nCzech Suite<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 3<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 5<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 6<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 7<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 8<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 9<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Donizetti<\/td>\nConcertino for Cor Anglais<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
de Falla<\/td>\nMiller’s Dance<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Elgar<\/td>\nSerenade for Strings<\/td>\n<\/tr>\n
<\/td>\nViolin Concerto<\/td>\n<\/tr>\n
<\/td>\nCello Concerto<\/td>\n<\/tr>\n
<\/td>\nWand of Youth Suite No. 2<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Faure<\/td>\nSicilienne<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Franck<\/td>\nSymphony in D minor<\/td>\n<\/tr>\n
<\/td>\nSymphonic Variations<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Gounod<\/td>\nPetite Symphonie<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Grieg<\/td>\nPiano Concerto<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Handel<\/td>\nOrgan Concerto<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Haydn<\/td>\nSymphony No. 101<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 104<\/td>\n<\/tr>\n
<\/td>\n`Nelson’ Mass<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Herold<\/td>\nZampa overture<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Hummel<\/td>\nTrumpet Concerto<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Jacob<\/td>\nOld Wine in New Bottles<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Liszt<\/td>\nPiano Concerto No. 1<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Mendelssohn<\/td>\nHebrides overture<\/td>\n<\/tr>\n
<\/td>\nSon and Stranger overture<\/td>\n<\/tr>\n
<\/td>\nRuy Blas overture<\/td>\n<\/tr>\n
<\/td>\nViolin Concerto in E minor<\/td>\n<\/tr>\n
<\/td>\nSymphony No 1<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 3 `Scottish’<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 4 `Italian’<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Mozart<\/td>\nDon Giovanni overture<\/td>\n<\/tr>\n
<\/td>\nThe Marriage of Figaro overture<\/td>\n<\/tr>\n
<\/td>\nCosi fan Tutti overture<\/td>\n<\/tr>\n
<\/td>\nLes petit Riens<\/td>\n<\/tr>\n
<\/td>\nPiano Concerto No. 24<\/td>\n<\/tr>\n
<\/td>\nFlute Concerto No. 1<\/td>\n<\/tr>\n
<\/td>\nClarinet Concerto<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 31 `Paris’<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Pierce<\/td>\nEnigma for orchestra<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Poulenc<\/td>\nFlute Concerto<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Puccini<\/td>\nIntermezzo from `Manon Lescaut’<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Quantz<\/td>\nSonata<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Rachmaninov<\/td>\nPiano Concerto No. 2<\/td>\n<\/tr>\n
<\/td>\nPiano Concerto No. 3<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Rodrigo<\/td>\nFantasia para un gentilhombre<\/td>\n<\/tr>\n
<\/td>\nConcerto de Aranjuez<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Rossini<\/td>\nThieving Magpie overture<\/td>\n<\/tr>\n
<\/td>\nWilliam Tell overture<\/td>\n<\/tr>\n
<\/td>\nBarber of Seville overture<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Saint-Saens<\/td>\nCello Concerto in A minor<\/td>\n<\/tr>\n
<\/td>\nHavanaise<\/td>\n<\/tr>\n
<\/td>\nIntroduction and Rondo Capriccioso<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 3 `Organ’<\/td>\n<\/tr>\n
<\/td>\nDance Macabre<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Shostakovich<\/td>\n`Charmaine’<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Schubert<\/td>\nOverture in C `In the Italian Style’<\/td>\n<\/tr>\n
<\/td>\nRosamunde overture<\/td>\n<\/tr>\n
<\/td>\nSymphony No 1<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 2<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 3<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 4 `Tragic’<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 5<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 6<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 8 `Unfinished’<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 9<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Schumann<\/td>\nPiano Concerto<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 3<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 4<\/td>\n<\/tr>\n
<\/td>\n`Genoveva’ overture<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Sibelius<\/td>\nValse Triste<\/td>\n<\/tr>\n
<\/td>\nKarelia Suite<\/td>\n<\/tr>\n
<\/td>\nThe Swan of Tuonela<\/td>\n<\/tr>\n
<\/td>\nFinlandia<\/td>\n<\/tr>\n
<\/td>\nViolin Concerto<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 1<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 2<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 5<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Tchaikovsky<\/td>\nViolin Concerto<\/td>\n<\/tr>\n
<\/td>\nPiano Concerto No. 1<\/td>\n<\/tr>\n
<\/td>\nRococo Variations<\/td>\n<\/tr>\n
<\/td>\nRomeo and Juliet overture<\/td>\n<\/tr>\n
<\/td>\nOrchestral Suite No. 4 `Mozartiana’<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 1<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 4<\/td>\n<\/tr>\n
<\/td>\nSymphony No. 5<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Vaughan-Williams<\/td>\nThe Lark Ascending<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Verdi<\/td>\nForce of Destiny overture<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Vivaldi<\/td>\nConcerto for 2 cellos<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Wagner<\/td>\nThe Mastersingers overture<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/tr>\n
Weber<\/td>\nOberon overture<\/td>\n<\/tr>\n
<\/td>\nClarinet Concerto No. 1<\/td>\n<\/tr>\n
<\/td>\nPiano Trio<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Beethoven Egmont overture Coriolan overture Ruins of Athens overture Violin Concerto Piano Concerto No. 5 Largo from Oboe Concerto Choral Fantasy Two Romances for violin and orchestra Symphony No. 1 Symphony No. 2 Symphony No. 3 Symphony No. 4 Symphony No. 5 Symphony No. 6 `Pastoral’ Symphony No. 7 Symphony No. 8 Symphony No. 9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":650,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-659","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/langtreesinfonia.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/langtreesinfonia.co.uk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/langtreesinfonia.co.uk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/langtreesinfonia.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/langtreesinfonia.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=659"}],"version-history":[{"count":10,"href":"https:\/\/langtreesinfonia.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/659\/revisions"}],"predecessor-version":[{"id":783,"href":"https:\/\/langtreesinfonia.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/659\/revisions\/783"}],"up":[{"embeddable":true,"href":"https:\/\/langtreesinfonia.co.uk\/index.php?rest_route=\/wp\/v2\/pages\/650"}],"wp:attachment":[{"href":"https:\/\/langtreesinfonia.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}